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Angel Rannek

Angel Rannek, also recorded as Angelita Rannek and known publicly through the modeling name Angel of Delight, is an aasimar bard of the Rannek family associated with the Vengeful affair. She is the youngest daughter of Uther Rannek, Marquess of Rannek, and Maria Rannek, and the sister of Gwyniviere Rannek. Accounts of her abilities describe her as a glamour-trained performer with darkvision, celestial heritage, and command of Celestial, Common, Common Sign Language, Elvish, and Sylvan.

Angel’s role in the Vengeful affair began as part of her family’s journey to the Travertines, but soon expanded into the Reformist crisis around Rannek, Malterdale, and the Malthrek-Travertine marriage settlement. She became important both as a bearer of shards of the Emerald Shield of Spring and as a source of celestial healing.1 Hilis Brastok, usually styled Sir Brastok, served as one of her principal guards.

Angel was born into House Rannek and was raised within the household of Castle Rannekford. Her known siblings include Gwyniviere, Lance Rannek, Laudine Maidenfeld nee Rannek, and Merlin Rannek. Gwyniviere’s betrothal to Mark Malthrek later brought the Ranneks into the political orbit of the Malthrek and Travertine houses.

Angel was magically gifted and strongly associated with beauty, glamour, and celestial signs. Her family employed Kelthyr Kulok as a tutor, and her angelic nature became a real source of magical danger and political interest rather than merely a poetic description.

Angel left Rannek with her mother Maria and her sister Gwyniviere to attend the wedding of Luke Malthrek and Pallia Travertine. The Ranneks had been invited because Gwyniviere was betrothed to Mark Malthrek, Luke’s brother. Their route required them to cross Maiden’s Bay and travel through Malterdale.

While in Malterdale, the party stayed at the Battlement Inn and paid respects to Lord Malterdale, who was the liegelord of the place and had once been a comrade of Angel’s father. During the same stay, Father Charles Renaldi, Sister Rislas, and other members of the Congregation of the Angel of Civilization were also present. Renaldi introduced himself to the Ranneks, while Rislas showed an unusual interest in Angel.

Rislas showed Angel the ruins attached to the inn, where a stained-glass image of the Green Lord stood. Although Rislas did not notice anything unusual, Angel later returned to the ruins with Sir Brastok to investigate a feeling she had experienced there. In those ruins, Angel found her first shard of the Emerald Shield of Spring.

Before reaching the Travertines, Angel and Lance returned to Rannek during the crisis around Magnus Bramok, the Bishop of Rannek. Angel sent messages to both her parents announcing that she and Lance were heading to the bishop and that she had passed important information to court wizards. Angel helped rescue Bishop Bramok from a cursed token and found evidence of a Reformist connected to Sister Rislas.2

This episode placed Angel at the intersection of the Rannek Marches, Reformist infiltration, and the search for the Emerald Shield shards. Subsequent planning treated Angel as a natural lead for Rannek matters, especially once the war against Hicklanders and the persecution of local Hickland communities became a parallel crisis.

Angel’s party arrived at the Travertines for the wedding of Luke Malthrek and Pallia Travertine while the keep had already been compromised by Reformists. Duchess Antoinette Malthrek was confirmed as a Reformist, matching Angel’s earlier suspicion that something around the Duchess carried an unnatural sense of death. Gwyniviere also reported that Mark Malthrek, her fiance, was absent after being called back to the Maltreks for unclear reasons.3

Angel was present when Marlion I Dragonheart killed a Reformist spy watching Luke. She considered , but instead used on the severed head. The dead Reformist confirmed her own allegiance but did not know whether Pallia Travertine was also a Reformist.

After Pallia was exposed as a dangerous hag and Reformist agent, Angel guarded the unconscious Travertine heiress in the infirmary alongside Maria, Gwyniviere, and Sir Brastok. The discovery of Pallia’s role also made the Malthrek-Travertine wedding settlement part of the wider Reformist and aberrant conspiracy.4

During the same crisis, Angel’s celestial nature became medically and strategically important. After the party obtained a sample from Father Charles Renaldi, Luke Malthrek and Duchess Antoinette were found to share a related infestation, parasite, aberrant condition, or linked affliction. Angel used celestial blood to heal or treat both of them. Luke was treated first; Antoinette had been affected for longer, and treating her cost Angel more.5

Angel was credited with curing or removing the parasites from Luke and the Duchess, though the exact means was sometimes described as presence, prayer, blood, or a named ability. Repeated blood-healing was considered dangerous and exhausting. The same discussions placed Angel among a small number of celestial persons whose blood could display effects comparable to healing, , or .5

The shards of the Emerald Shield of Spring became one of Angel’s central responsibilities. By the Travertine crisis she held two of the seven known shards, while the Reformists could sense the shards but had difficulty locating them directly. Lime Schulze’s infiltration revealed that the Reformists intended to let Angel gather more shards so they could ambush her afterward.6

Minfilia later assigned Angel to recover the five remaining shards, which had been gifted by an archfey to the elves of Rannek. Angel remained possibly necessary to find the rest of the Shield. The Shield was also connected to the fertility and seasonal health of the Western Lowlands, the Malter River Valley, and Rannek, making Angel’s custody of the shards politically and magically significant.6

Before the Vengeful affair, Angel modeled for Legally Bare under the public persona Angel of Delight, after Gwyniviere Rannek persuaded her to take the work. Gwyniviere painted the originals used for Angel’s pages. Publication promotions grouped Angel with three other time-of-day personae: Miya as Morning, Angel as Noon, Cinna as Afternoon, and Maerwen as Evening. Promotional references to Angel of Delight included boon stickers and special editions, suggesting that her name circulated as a recognizable public image apart from her formal identity as a Rannek noble.7

  1. See The Vengeful Notes 2026-05-29 and Threads: The Elven Boons.

  2. See The Vengeful Notes 2024-11-23 and The Vengeful Notes 2026-04-25.

  3. See The Vengeful Notes 2026-05-10.

  4. See The Vengeful Notes 2026-05-15.

  5. See The Vengeful Notes 2026-05-22 and The Vengeful Notes 2026-05-29. 2

  6. See The Vengeful Notes 2026-05-10, The Vengeful Notes 2026-05-16, and Threads: The Elven Boons. 2

  7. See The Vengeful EV Notes and The Vengeful Notes 2026-05-22.